• Extensive knowledge of digital and analog recording environments,
microphones, mic techniques, outboard gear, and plug-ins
• Experience with large format analog consoles: Neve V3, VR60
• Extensive knowledge of Pro Tools and the digital domain
• Experience recording/mixing all types of instruments/vocalists
Independent Engineer/Mixer/Producer, March 2007 - Present
Engineer a wide variety of projects, most notably the Satellite Award nominated HBO Series, "Flight of the Conchords,"
and their Grammy Award winning EP, "The Distant Future."
Pilot Recording Studios New York, NY
Staff Engineer/Studio Manager, June 2002-March 2007
One of New York City's premiere studios, major label clientele. After three
months as an assistant, accepted a full time staff position. I had the opportunity
to employ the endless outboard, microphone, amplifier, guitar, and drum selection
during sessions. I garnered heavy exposure to all facets and nuances of different
production styles and the requirements for each client's needs.
• Engineer sessions for voiceovers, jingles, and album tracking/mixing/mastering sessions
• Budget and produce independent client demos; consistently complete projects
on schedule and within budget constraints
• Direct setup and breakdown of sessions
• Facilitate recalls on mixes
• Implement organizational protocol to streamline data storage and record keeping
• Calculate payroll and maintain financial records
• Coordinate booking
• Oversee client relations
Assistant Engineer, May 2001-August 2001
• Assisted with setup and breakdown of sessions
• Recalled mixes and recording setups
• Executed media transfers and backup to various storage devices
• Performed digital editing assignments ranging from voiceovers to overdubs
• Maintain tape library and supply stock
Slow Children At Play Bloomington, IN
Chief Audio Engineer , January 2002-May 2002
Slow Children At Play is a college cable sketch comedy show modeled after the
likes of Saturday Night Live and Mad TV. The season consisted of producing live
and produced sketches, compiled into a one hour live event culminating this
semester long class. I was selected as head of the audio crew for the show
based on previous experience and skill.
• Directed setup and breakdown of audio equipment for production
• Consulted with directors and producers to attend to all their needs related to audio
• Mixed all audio for post production segments and final live broadcast feed
• Recorded and edited sound cues for use in sketches and live show
• Instructed new students interested in audio in the use of the broadcast/production facility audio equipment
Independent Recording/Live Sound Engineer Bloomington, IN
Engineer , August 1999-May 2001
• Mixed live sound for various bands in Bloomington clubs and live music venues
• Engineered remote recording sessions; multitrack and live mixing to 2-track
Independent Band Management Bloomington, IN and New York, NY
Manager , 1999-Present
Founded management business in October 2003 to manage Indiana client,
Run of the Mill and court other potential national clients. Business now called Sixth Management
and based in New York City and Chicago, IL with founding partner.
• Handle all business and booking responsibilities
• Publicize bands in major Midwest markets
• Initiate airplay on college radio and television
• Coordinate marketing campaigns aimed at various demographic regions
• Solicit offers from record labels.
Indiana University, Bloomington, IN
Bachelor of Arts in Telecommunications, Minor in Music
Emphasis on audio/video production and design